Best corpse paint I ever saw
Author Zadie Smith weighs in on the culture of climate change denial.
It’s amazing the side roads you can will yourself down to avoid the four-lane motorway ahead. England was never as wet as either its famous novels suggest or our American cousins presume. The weather has changed, is changing, and with it so many seemingly small things—quite apart from train tracks and houses, livelihoods and actual lives—are being lost. It was easy to assume, for example, that we would always be able to easily find a hedgehog in some corner of a London garden, pick it up in cupped hands, and unfurl it for our children—or go on a picnic and watch fat bumblebees crawling over the mouth of an open jam jar. Every country has its own version of this local sadness. (And every country has its version of our arguments, when it comes to causation. Climate change or cars? Climate change or cell phone sites?) You’re not meant to mention the minor losses, they don’t seem worth mentioning—not when compared to the visions of apocalypse conjured by climate scientists and movie directors. And then there are all those people who believe that nothing much is happening at all.
That awful moment when you learn that this wasn’t scripted. That Will Smith’s character was actually supposed to brush off the whole thing, but Will’s father actually had left him when he was younger and he just fell apart on the set and the hug at the end was from one actor to another, not one character to another…